Thrilled to say that I am going to be attending PBI in just a short couple of weeks. It's like summer camp for people who love paper and books, and I can barely wait to start the long and complicted journey that will result in being there and PLAYING hard for ten blissful days. Both suitcases are stuffed with bits of paper and ephemera and the supplies requested for the three different courses I'm signed up for. Other than supplies I have room for some clean underwear, sacrificial clothing (it might all need to be burned by the end of my stay at Ox-bow), obligatory bug spray, and a toothbrush. Lots of stuff I would ordinarily pack is being sent on ahead courtesy of Amazon.com. More supplies too.
My three classes are the following:
Pressure Printing: A Painterly Approach to the Press with Sarah Bryant
Page Design – It’s an Open Book with Paula Jull
Ideas and Actions in Context and Construction with Tim Ely
I have no idea what any of them entail, and I want to discoverthe details only when I arrive and settle in. I am eager to meet my fellow attendees and teachers and a little nervous.
Who else will be going? I wish there were a discussion page on the PBI site so those attending could interact a bit before we arrive, but no matter.
Intrigued by this site: http://acollageaday.blogspot.com/, I bought Randel Plowman's Collage Workbook recently. After creating a small stash of roughly 3 x 3 inch backgrounds using black and white ephemera, I decided to try his technique of using color-photocopied images on tracing paper as the foreground subject of a collage. The illustrations and step-by-step instructions made it seem easy to obtain a good result. Using a small, vintage paper pamphlet I found in a junk shop in Amsterdam of cross-stitch subjects, I set out to merge the background and foreground layers using the book's recommended adhesive. The first one was a challenge - the tracing paper curled, buckled and resisted adhering to the background surface despite vigous rubbing with a bone folder. In the end I resorted to a quick application of medium, swift placement of the tracing paper, and a fast pass through my etching press, sandwiched between two layers of wax paper. Only after using the press did I achieve a smooth and regular surface. After 30 repetitions, I think I have it down. What do aspiring followers of Randel do without a press? Am I the only workbooker to have had this experience? Many more images here.